From the monthly archives:

January 2009

Executive Summary

January 2009

  • Bring on the 3-D. 2009 began with the widest introduction of 3-D yet. Sports, movies, advertisements — on-screen, and on television:- BCS (American) football on 150 screens
    - Lionsgate’s My Bloody Valentine 3D
    - Super Bowl 3-D ads on television
    - NBC announces the first ever 3-D television episode: “Chuck” in 3-D
  • DCIP digs in. Regal and Cinemark reassign digital projectors to 3-D screens, while WB claims DCIP needs all 6 studios to qualify for financing.
  • Paramount offers the “Katzenberg” VPF deal. Recognizing that a large number of exhibitors want to bypass system integrators, Paramount publicly offers a direct VPF deal, including financing for a single 3-D screen.
  • Texas Instruments reorganizes and shoots 3-D in the foot. Attempting to capture on the success of 3-D, TI introduces a disastrous and poorly executed licensing program for its 3-D technology. In doing so, TI revealed a lot about its troubles.
  • NATO releases v2.1 System Requirements, holds meeting with vendors and integrators, and solves its problem in CBG. In a follow-up to its June meeting, NATO members review the changes in v2.1 Digital Cinema System Requirements, and introduce standards-based closed captions. Working closely with Cinedigm, CBG finds a solution in weekly VPF fees.
  • Technicolor Digital Cinema throws in the towel. With little fanfare, Technicolor announces it will sell off its system integration business, including its TMS.
  • Mark Cuban buys stake in Carmike, Michael Patrick steps aside. In a stealth move, Cuban buys 9.4% of Carmike, possessing a majority of the digital cinema screens in the US. Old school and new school collide, and Michael Patrick steps down as CEO.
  • Screenvision and MSNBC team up to broadcast Obama Inauguration in 27 theatres.
  • GDC installs 1000th server, signs up 300 additional Chinese cinemas.
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3-D

January 2009

2009 will witness the release of some twelve 3-D movies, but the first 3-D program to appear in theatres was the Bowl Championship Series (BCS) college football (American-style) game on January 8. Camera work was by 3ality, and the live broadcast by Cinedigm to 150 screens in 80 locations. While the presentation was awkward, the [...]

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Digital Cinema Implementation Partners (DCIP)

January 2009

No surprise, both Regal and Cinemark redeployed digital projectors in January to new theatre locations equipped with silver screens. If you recall, both Regal and Cinemark installed hundreds of silver screens last year in time for Disney’s Bolt, but with the delay in DCIP’s financing plans, no digital projectors were purchased. The redeployment increases the [...]

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Paramount

January 2009

Jeffrey Katzenberg must be congratulated for putting his money where his vision is. He is without peer in his tenacity to bring 3-D to the entertainment world. Equally impressive, he also managed to get Paramount to put its money where his vision is. Upon learning that some exhibitors are reticent to sign long term agreements [...]

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Cinema Buying Group (CBG)

January 2009

CBG told members at ShowEast that it didn’t have a financing option that would include 2nd run theatres. Inclusion of everyone in the deal being the original mantra for CBG, this sudden shift in direction had the potential to cause much upset. Fortunately, the problem of including everyone now appears to be resolved. A revised [...]

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Texas Instruments

January 2009

Just when the industry thought that digital cinema had found its value-added feature, Texas Instruments had a different idea. Why not, TI thought, charge an additional fee for turning on the 3-D feature in projectors? To enable this, TI introduced the ability to lockout the sequential 3-D capability of its projectors with its latest software [...]

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NATO

January 2009

NATO’s Digital Cinema System Requirements have taken on more significance to the vendor community as it competes for sales with dozens of exhibitors. The original intent of the work was to bring exhibitors together in their requirements so as to not ask for disparate and incompatible capabilities with both vendors and standards committees. In June [...]

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Technicolor

January 2009

It’s often said that no company has spent more money in digital cinema than Technicolor. In 1999, Technicolor entered into an alliance with Real Image Digital and Sarnoff to venture into the deployment of digital cinema. That was followed by a joint venture with Qualcomm to do the same. In 2005, following the release of [...]

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